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about
"The live version of “Taipei Disco” was recorded during a live set at the China Pop venue, in Macau, 1993. China Pop was a rock club built in the ample space of an old fishing warehouse, located in the labyrinthic Inner Harbour area. It was decorated with large Mao Zedong and Cultural Revolution posters and memorabilia and had a unique atmosphere, fusing Pop Art with film noir. We began our performance at 1AM, pretty early for Macau’s nightlife standards. We were lucky. An audience showed up. And in Macau there were always several friends among the audience, which tranformed a musical performance into a relaxed party.
The atmosphere was particularly surreal on that night. The front row was dominated by French Crazy Horse dancers, a sort of Oriental Moulin Rouge. The girls had finished their last performance of the evening at the Crazy Horse and were still energized from their show. During our performance, right in front of us and perfectly synched, we could hear the famous irreverent screams of can-can dancers. You always had to expect the unexpected in Macau."
António Duarte
Summer of 2017
credits
from Taipei Disco,
released August 3, 2018
António Duarte: synths, sampling synth, drum machines, micro-composer, live EFX
Manuela Duarte: vocoder strings ensemble, performance art
supported by 14 fans who also own “Taipei Disco (live)”
I was brought here after listening to a live performance of Makaya's on you tube. I instantly loved the song Holy Lands so much that I had to see if the album version was the same rendition as the live one. Then I listened to the whole album! Universal Beings is a just a groove... It's a mix of traditional and something new, very nice. pandr1900
Marius Circus’s cover of Lindstrøm’s “I Feel Space” is epic and expansive; Weatherall’s remix is dark, dubby, and haunting. Bandcamp New & Notable Nov 23, 2018